“Both cultures enjoy a beer – that’s one massive similarity,” Hutchison, who is ­enjoying a day off in Newcastle, England, says down the phone line.

“Though I do think that maybe Aussie drinkers are more positive than Scottish ones.

“There’s a misery that pervades Scottish culture that is not so present [in Australia].

“That’s probably down to the amazing weather you have there.”

Hutchison’s band received a warm welcome during their three previous Australian tours, so the decision to join 2013’s Groovin The Moo regional roadshow was a no-brainer.

For fans who have never seen them live, the singer sends word that their gigs are not as melancholy as you might assume from ­listening to the albums. 

“It’s much more of a rock show than what people would expect,” Hutchison says.

“We do write some fairly morose, ­miserable songs, but I think the whole show can be unexpectedly uplifting – it’s a joyful thing and you can sing along.

“Hopefully it’s a unifying thing that we do live.”

The songwriter feels their fourth record Pedestrian Verse translates to the stage more effortlessly than their prior releases.

For the first time the group recorded the core of the tracks together live in the studio, rather than in individually layered takes.

“We figured that we had spent seven years touring, playing live, so why wouldn’t you want to bring that energy to the studio?” Hutchison explains.

“It brought an energy that was perhaps missing in our previous albums.”

There is no harsher critic of the band’s music than Hutchison.

The songwriter feels that the process of building The Winter of Mixed Drinks in layers of instruments, “from the drums upwards”, led to sonic overkill.

“I think we went a bit overboard with the tracking and as a result it became saturated and I think a bit sludgy,” the songwriter admits.

“What I really wanted to do was give [Pedestrian Verse] more space, because I’d started writing these lyrics and I needed 

them to be at the forefront of this album and not clouded in tonnes of guitars and ­synthesisers.”

Frightened Rabbit’s home nation of Scotland has a rich history of musical acts, from Jesus and Mary Chain to Simple Minds, Teenage Fanclub and Primal Scream.

Hutchison feels that the bands of his ­country, and particularly from Frightened Rabbit’s home of Glasgow, have a definable sound that permeates each new ­generation of groups.

“I started writing music when I was ­listening to bands like The Delgados and Mogwai and Belle & Sebastian,” the singer says.

“There’s a lush romantic sound to those bands that I like to get into my music – an epic soundscape.

“Lyrically, artists like Arab Strap and Stuart Murdoch from Belle & Sebastian – I take a lot from them in terms of their tongue-in-cheek approach to the dark humour that they ­pepper their songs with.”

Frightened Rabbit received widespread attention with their second record, 2008’s The Midnight Organ Fight, in which Hutchison reflected on a difficult relationship breakdown in an almost documental fashion.

On 2010’s follow-up, The Winter of Mixed Drinks, he instead blurred the lines of reality with semi-fictional lyrics.

The acclaimed wordsmith says that this year’s Pedestrian Verse is an even pastiche of confession and imagination.

“I tried to move away from [personal songs] because having spent so long on tour, I was doing an hour-and-a-half every night of just songs about me,” Hutchison admits.

“It started to feel very self-indulgent.

“If anything else, I wanted to see if I could write about someone else – something ­else – other than my own life.

“It was a purposeful thing, although there are massive parts of my own personal experience within those [new] songs.”

Despite broad aspects of Hutchison’s private life laid bare for those that wish to listen, the songwriter does not regret releasing any of his songs.

“I’ve only ever regretted it when I’ve censored myself,” he says.

“I think that the band, and I, are best when I don’t hold back.

“The other thing is, when you’re playing [the songs] live nobody is really attributing those lyrics to me.

“They project their own lives on to the songs, so I’ve never felt uncomfortable with it.

“One of the goals of [Pedestrian Verse] was that if I did feel something, I was happy to express it in a very raw form.”

Although Hutchison is now at peace with writing deeply personal lyrics, he was guilty of deliberate vagueness on The Winter of Mixed Drinks.

“[Pedestrian Verse] was a direct result of what I think was a failure on [The Winter of Mixed Drinks],” Hutchison says.

“The Midnight Organ Fight was very confessional and it made me feel a little exposed.

“The mistake I made with Winter of Mixed Drinks was to go against that and I think it just watered it down a little bit.

“This time I was very conscious of not repeating that mistake, so it is lyrically more dense than the last one.”

The lyrics of Frightened Rabbit’s songs are never written first, with Hutchison admitting that “a blank page looks terrifying” to him unless there is a musical structure in place.

But the layers in Hutchison’s words are invariably rife with imagery and references.

In Pedestrian Verse the ­songwriter draws on some grand themes. 

“There’s a bit of religion and death going on there [in the lyrics], there’s redemption and there’s always hope,” he says.

“I feel like the album does drag you through the emotional ringer at times, but there’s always a light at the end of each song, and certainly at the end of the album.

“It’s hopefully a journey through the spectrum of human emotions.”

Frightened Rabbit play Groovin The Moo at Maitland Showground on Saturday, April 27.

Pedestrian Verse is out now through Warner.

The Maitland Mercury has five copies of Pedestrian Verse to give away.

For your chance to win fill in the coupon in today's Mercury and return it to our office by noon next Wednesday.

BUDDING SNAPPERS CAN SHOOT FRIGHTENED RABBIT

Groovin The Moo is running a special Shoot The Moo ­competition.

You will have the opportunity to shoot Frightened Rabbit direct from the pit at your nearest Groovin The Moo or metro sideshow, as well as hang with the band backstage for a few casual behind-the-scenes snaps. 

The winner also gets one on one time with a professional photographer to pick their brains about photography and then their work will be shown to industry heavyweight. 

To win, head to www.shootthemoo.com/the-competition and upload three of your best photos by Friday, April 19.